Sunday, 29 November 2009

Betrayed

Betrayed - PC & Kristin Cast

Oh, what a disappointment!  Betrayed is the second book in PC and Kristin Cast’s House of Night series.  Barely two weeks before I picked up Betrayed I read, loved and gave a gushing 5-star review of the first book in the House of Night series called Marked

I really enjoyed Marked for its descriptions of ancient elemental magic and the way this was interwoven with Native American mythology.  I thought it was original and had an interesting take on the vampyre mythology.  Most of all, I loved the slow-burning romance with the strong, clever and mysterious Erik and I liked the strength and character of the protagonist Zoey.

My opinion of this book however is that the only person betrayed here is the reader.

Zoey is shown to have little to no character as she strings along three boys and is ultimately responsible for the death of two others.  I mentioned in my review of the first book that I did not take offence to what other readers had described as the authors’ overt and constant moralising as I had been a headstrong and opinionated teenager myself and felt that this read quite true.  But cheating on people and treating them like commodities is a bit rich coming from a character who has supposedly high moral standing.

From being principled enough to support Zoey in the face of huge peer pressure to the contrary in Marked, Erik becomes nothing more than a cardboard cut-out of a boy in Betrayed.  He is a mere disciple of Zoey now or better yet, a lap dog.

To be fair, there is an actual betrayal in Betrayed but so much of the book is spent on superfluous rubbish and minor details and then you get to the end to find a glorified “to be continued” notice.

How lame. 

I was actually almost offended by this  and the very English (and slightly rude) saying “taking the piss” comes to mind when I try to explain it.  Not enough happened in this book to draw it out over two volumes and I just don’t believe that they couldn't have finished the story in this book.  I don’t know what the actual story behind it was but I get the feeling that they were overwhelmed by the success of the first book and wanted to ensure that they could ride the wave for at least two more books.

I’ll definitely read the next book in the series Chosen but I’ll be borrowing it from the library this time and not rushing out and buying it like I did with the first two books.  I’ve heard that Chosen is quite good so we’ll see; maybe I will land up buying it in the end.

I give Betrayed three stars and reserve the right to come back and reduce that to two stars!

star-three

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Thursday, 26 November 2009

Are you listening to Parov Stelar yet???

Parov Stelar

I can’t get enough of Parov Stelar, I really can’t.  It just makes me gleeful and happy to listen to his music and my favourite time of day is when I get off the train and can switch my iPod up full blast and listen to “Charleston Butterfly”.

I just got his new album Coco and it is phenomenal.  Unfortunately, he hasn’t made very many videos which is disappointing as I’d love to see these songs visualised.

These are my favourite three songs but they are music only, no videos:

And these are three videos I did manage to find of his:

(This is the first song I ever heard of his)

(And I absolutely love this one)

Seriously, rush off right now and buy one of his albums. 

Parov Stelar website

iTunes ¦ Amazon

Twitter ¦ MySpace ¦ Facebook

Etage Noir recordings YouTube channel (with official videos from his new album)

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Wednesday, 25 November 2009

Doctor Who: An Unearthly Child

On Saturday 23 November 1963, Doctor Who exploded onto British television screens with the first episode of the story arc named "An Unearthly Child”.  The arc consisted of four episodes.

The First Doctor - William Hartnell

First Doctor - William Hartnell
Companion - Susan Foreman (played by Carole Ann Ford)
Support Characters: Ian Chesterton, Barbara Wright

Planet: Earth, 1963 & 100,000 BC

An Unearthly Child

Broadcast: 23 November 1963

In this episode we meet two school teachers who are concerned about a strange but profoundly knowledgeable student called Susan Foreman. Susan appears to be a normal teenager who listens to music and follows the fashions of the day but when the teachers try to follow her home, they find that she has slipped into an old junkyard.

We meet the First Doctor for the very first time and he is an arrogant and cantankerous man.  The characters enter into the TARDIS which looks like a police box but is much bigger inside than it appears from the outside.

After a heated discussion with the teachers, the Doctor decides to warp to another time and place as he does not trust that the teachers will not expose him.

Things we learn in this episode: Susan states that she was born in another time and she already hints towards having seen the London of the future.

Cave of Skulls

Broadcast: 30 November 1963

The teachers struggle to believe it as they come to realise that they are obviously stuck far in past.  It is in fact 100,000 BC, the Stone Age.  The Doctor is kidnapped by cavemen and the group is caught up in the political wrangling of a tribe that has lost the ability to make fire and keep themselves warm.

They are taken prisoner and kept in the Cave of Skulls. 

Things we learn in this episode: The TARDIS as a police box: The Doctor and Susan are both concerned that the TARDIS is still a police box and that it hasn’t changed to blend it with its surroundings as it usually does.  It seems the TARDIS has become stuck in this form.

“Doctor Who”: Barbara Wright calls The Doctor “Doctor Foreman” assuming he has the same surname as Susan.  Ian Chesterton replies, “That’s not his name.  Who is he? Doctor Who?”

The Forest of Fear

Broadcast: 7 December 1963

The group are freed by the widow of the previous leader as she believes fire to be a bad omen and she wants to prevent them making it for the tribe.

They escape into the forest but are pursued by two of the cavemen.  An animal attacks their pursuers and despite The Doctor’s objections, Barbara insists on helping him.

Things we learn in this episode: The Doctor is willing to put his own safety over the safety of others.  Is this the first sign of the Doctor’s sense of self-importance and destiny?

It is possible to communicate meaningfully with cavemen if you speak slowly and leave verbs out of your sentences.  I must try that next time I’m in France.

The Firemaker

Broadcast: 14 December 1963

The group are captured again and involved in more of the power struggle.  After finally providing fire for the tribe, the group escape being assimilated into the tribe and make it to the TARDIS.

Things we learn in this episode: As the TARDIS dematerialises, The Doctor tells the teachers that he is not able to take them back to 1963 as he cannot accurately control where or when the TARDIS goes.  He claims that he has insufficient data an admits to Ian that he has no idea where they will end up.


Verdict

I think that the set and props were amazing for 1963 and the concept of the cavemen as intelligent human beings with hierarchical structures was interesting.  It is jarring to The Doctor as such a grumpy old man but I’m looking forward to gradually connecting him with The Doctor that we know and love today.

There is no point giving the early shows a star rating or anything of the sort because these early episodes have to be appreciated for how progressive and exciting they must have been at the time and also for the background and history they provide.

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Monday, 23 November 2009

Film: New Moon manages to thrill

New Moon Poster New Moon is one of those films. Either you're a fan and you care about what people are saying about the film or you really, really don't. Despite having been so disappointed with the book and with the film Twilight, I cared. I really, really wanted this film to be better than the last one and to explore some of the incredible range of feelings and emotions that was present in the books.

At the end of the day, although I might object to Stephenie Meyer slowly and painfully removing Bella's backbone and eroding her sense of self-worth over the books, there is just something about the Twilight-verse that drew me in and kept me fascinated. The idea of a perfect, immortal man falling in love with a shy teenage girl and existing just for her was wish fulfilment at its best and it is no surprise that so many women and girls were captivated.

And so it was that I began to look forward to this next instalment in the film realisation of the Twilight saga almost as soon as I had watched and hated Twilight. I lapped up all the news about who would play the Volturi and how Taylor Lautner was filling out for his role as Jacob Black and I silently and secretly counted down the days until I could see the film.

Edward and Bella Kissing (Kristen Stewart and Robert Pattinson)

That day arrived on Saturday as I dragged my extremely long-suffering husband along to the Trocadero in Piccadilly Circus to see New Moon along with 499 other 14-year-old girls. Seriously, the whole theatre was swooning at Taylor Lautner's body (I wasn't too well composed myself) as my husband openly tried to slash his wrists through friction burning them with his index finger. Who knew a teenaged chick-flick could do that to a grown man?

I was surprised and thrilled to find that I loved the film. I absolutely adored it and want to go see it again. I felt that it was true to the book in all the important places and it was just so much better than Twilight.

Jasper's bloodlust after Bella (Peter Facinelli, Jackson Rathbone, Kellan Lutz)

The scene where Bella meets her future self was subtle and well done. I loved seeing Jasper's reaction to Bella's blood and seeing the rest of the family struggle to control him as he fought to break through them to get to Bella.

New Moon Wolf Pack (Alex Meraz, Chaske Spencer, Tyson Houseman, Kiowa Gordon)

Jacob and the rest of the wolf pack were well cast and their brotherhood and camaraderie was obvious and believable. The special effects with the wolves worked better than I could ever have imagined and somehow, the men were so... doglike. I guess that only makes sense (and is a vague compliment) if you read as much vampire / werewolf fiction as I tend to these days.

Aro Caius Alec (Martin Sheen, Jamie Campbell Bower, Cameron Bright)

My absolute favourite part of the film was the Volturi. I think they were fantastically realised on the big screen and I loved Martin Sheen and Dakota Fanning as Aro and Jane respectively. I'd found that scene a bit confusing in the book and it was just done so well in the film. It makes me want to try read the book again to make sense of it all!

Demetri and Alice New Moon (Charlie Bewley, Ashley Greene)

Given my attraction to all characters dark and evil, it is no surprise that I liked the Volturi so much.  Their costumes, make up and design were phenomenal too.

New Moon Poster VolturiThe cinematography was beautiful in the film, as it was in Twilight.  There are forests, beaches and sweeping vistas of the ocean and cliffs.  The soundtrack and use of music was excellent (which of course I would say, being a huge fan of indie music). I miss Carter Burwell’s haunting score but the music worked well without the addition of a score.

I'm glad they left out the scene on the plane towards the end where Edward has to spell out his love for Bella. In fact, I agree with many people that Melissa Rosenberg might well have done a better job of writing the screenplay than Stephenie Meyer did of writing the book.

The vampire's make up looked a lot better in this film in that it looked slightly less like make up but Edward still looked like he had flour on his face and cranberry sauce on his lips. Also, while it is more true to the actual book, I found the bronze eyes of the Cullen family to be quite off-putting. It looked like they were wearing bronze contact lenses, which is exactly what they were, which is exactly how it was described in the book but they looked really weird on Edward and Alice.  In fact, I found it hard to find Edward attractive and I think I might be moving towards Team Jacob as Edward looked silly in the film.  Actually, scrap that.  I’m definitely Team Volturi.

So, apart from funny bronze eyes, I still loved the film and give it 4.5 stars out of 5.

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Thursday, 19 November 2009

The Host (aka Stephenie Meyer Has Issues)

The Host by Stephenie Meyer is just the type of body-snatching, brink of the extinction of humankind type of science fiction tale I’ve always loved.  The premise isn’t entirely original:  worm-like parasites attach themselves to the central nervous systems of human hosts making  them nothing more than puppets.  They have the misguided belief that humanity is wasted on humans and that they can do a better job of running Earth than we ever did. 

They never counted on Melanie Stryder though, a human host who refuses to give in.

The book is full of the wonder of humanity, the thrill of our senses and the blessings of the human experience.  That sounds pretty cheesy (and it is), so moving along swiftly…

The Host is more than just a typical body-snatching action horror story though.  Stephenie Meyer has created a wonderfully inventive and imaginative backdrop of life on other planets with senses, experiences and colours beyond our wildest imagination.  Earth is not the first planet the parasites have colonised and colonisation has never posed a problem before!

Then there is the human factor.  I’ve not actually read a book about body-snatchers before but I’ve seen plenty of films and they are usually all action and suspense with completely wooden and flat characters.  The Host is different though and I enjoyed the character development and the relationships that formed between the characters.  You really get drawn into the inner world of Wanderer (the parasite) and Melanie (the host) and her interactions with the other humans in the story.  Jared, Ian, Jeb, Doc and Jamie were quite well developed.

For a story that primarily takes place in a dark labyrinth of underground caves, this is a surprisingly entertaining and engaging book and keeps you turning the pages until the the very end.

So why had I already decided to give it 3.5 stars when I was only half way through the book?

[Insert massive sigh here]

That would be down to the classic Stephenie Meyer afflictions of a Mary Sue protagonist and what I have coined “The Sally Field Complex”.

Both Wanderer and Melanie are too perfect for words.  They are both strong, principled and absolutely pure of heart.  You can’t help but hero-worship them in their wondrous glory for how admirable and self-sacrificing they are in their concern and love for the men in their life (singular, they are one body).  They are absolute martyrs and men, it is okay to beat, humiliate, deprive and attempt to murder Wa-lanie because she hates herself and will forgive you and love you even more for it.

[That noise you are hearing is the sound of me gagging]

And who can forget the famous Sally Field Oscar acceptance speech of 1985? Why yes, you’d have to hit Wa-lanie over the head with that Oscar statuette (oh please, can I?) before the simpering idiot realises that “you like me, you really like me”.  It is like Bella Swan at the end of New Moon all over again.  (Okay, so maybe I’m misquoting Sally Field but I stand by my coined phrase). 

Stephenie Meyer obviously has serious issues relating to insecurity, codependency and sexuality and that almost tanks what could have been a magnificent book.  She lets her issues get the better of her and her books have set the cause of strong, independent and powerful women back by years.  Do you think I’m exaggerating?  Well, I’m obviously not the only one who thinks so: Twilight’s Bella Swan is a Feminist’s Nightmare.

Give me the magical matriarchy of the House of Night series or the essential and strong women of the Harry Potter series any day.  (We all know that Hermione, Ginny and Mrs Weasley won that war).

Maybe I’m a bit too much like a reformed smoker (not that I’ve ever been a smoker) but I wasted so much of my life not believing in myself and thinking I was a hero for forgiving men that abused me.  It takes a lot to overcome that lack of self-belief and self-esteem and as a strong, independent, vivacious and intelligent woman, I just don’t appreciate Stephenie Meyer’s message.  So yes, the book gets 3.5 stars because I did enjoy it in the end but like with her other books, I’m left wondering why I bothered.

star-threehalf

Oh, and in answer to your next question, of course I’ll be going to see New Moon this weekend.  What would I have to complain about next week otherwise?

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Wednesday, 18 November 2009

Doctor Who: Waters of Mars

Screencaps: Doctor Who Waters of Mars Screencaps: Doctor Who Waters of Mars

Doctor Who: The Waters of Mars
Written by Russell T. Davies And Phil Ford
Directed by Graeme Harper
Aired 15 November 2009, BBC One

It’s the beginning of the end for the Tenth Doctor as the last of the Time Lords finds himself at the Bowie Base One space station on Mars on 21 November 2059. The Doctor makes his entrance with the prescribed amount of silliness of course:

Lindsay Duncan is Captain Adelaide Brook David Tennant is the Tenth Doctor (and he is silly)

Captain Adelaide Brooke:  “State your name rank and intention”

The Doctor:  “The Doctor, Doctor, Fun”

The Bowie Base One is the first off-planet human settlement and once The Doctor establishes where and when he is, he realises that he needs to get off the planet immediately. This is the day that the Bowie Base One is destroyed and he can feel that something is definitely not right.

David Tennant is the Tenth Doctor (and he can be serious) David Tennant is the Tenth Doctor (or clever)

As the crew come to realise that something has gone wrong in the bio-dome, The Doctor is forced to accompany the Captain Adelaide Brooke and Dr Tarak Ital as they go to investigate the incident.  And so we are drawn into one of the most exciting and action-packed instalments of Doctor Who I have seen in years.

This is a colourful, inventive adventure and for once, I was not left feeling short changed by Russell T. Davies.  I loved how the episode was interspersed with “news footage” of the events of that day and together with The Doctor’s knowledge of what came afterwards, I felt it added depth and meaning to the whole story.

Michael Goldsmith is Roman Groom (Doctor Who: Waters of Mars) Cosima Shaw  is Steffi Ehrlich (Doctor Who: Waters of Mars)

I don’t think it is too much to say that water plays an important part in this story but there I hope the possible spoilers will end.  Water is a fantastic element to use in a thriller and the whole episode keeps you on the edge of your seats with that claustrophobic sense of impending flood.

Screencaps: Doctor Who Waters of Mars Screencaps: Doctor Who Waters of Mars

The Doctor:  “Water is patient, Adelaide. Water just waits. It wears down the cliff tops, the mountains, the whole of the world. Water always wins.”

David Tennant plays Doctor Who and he looks sexy as hell in these glasses

Of course, more exciting than the action and adventure is the story of The Doctor himself.  A Time Lord can regenerate twelve times and The Doctor we see on our screens today is in fact the same Time Lord as the one we met back in 1963.  He is currently in his tenth incarnation and we already know that we will see the eleventh Doctor by the end of this year. 

The most amazing thing about the Tenth Doctor is that we have come to know that for all of his Universe saving and Earth protecting, he has a darkness and a fury that runs deep within him.  This was made perfectly clear in the “Fury of a Time Lord” speech at the end of (my favourite episode) The Family of Blood.  

And so the end draws near for the Tenth Doctor and we come to realise that what might destroy this Doctor is not a physical death but his anger, his fury and his arrogance. 

This was a fantastic episode and it might just be one of my favourites yet.  Nothing will ever top the Harry Lloyd episodes Human Nature and Family of Blood though.  (Happy birthday for yesterday Harry!)

All screencaps of the gorgeous and magnificent David Tennant are my own with full credit and copyright to the BBC. You can click on the images for their full sizes.  Feel free to use or alter the images but if you do use them, it would be super nice of you to credit Emm and link back to this blog or credit missus_emm at Livejournal.

For more posts on Doctor Who click the label below.

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Tuesday, 17 November 2009

Doctor Who: a fangirl emerges


© BBC [Image Source]

I have a deeply emotional connection to Doctor Who and the related Whoverse. I can remember, clear as day, being terrified by the Daleks at the tender age of six or seven and once we left England and moved to South Africa, Doctor Who came to embody everything I missed about England and hated about South Africa. I am sure a deeper analysis would prove that Doctor Who is at the very root of everything I am today including my obsession with everything supernatural, space or sci-fi related; my fear of the dark (and of upside-down bucket things with funnels) and my love of the colour blue.

I guess it speaks to how underwhelmed I have been recently with what Doctor Who has to offer because there are just about no reviews on this blog. In fact, there are no Doctor Who reviews at all. I was certainly disappointed with the Easter special Planet of the Dead. Well, I intend to correct that now. Starting tomorrow, I’ll review the latest Doctor Who special, Waters of Mars and post some fantastic stills and screen caps.

I’m then going to be watching and reviewing the original series starting with the episodes first aired in November 1963.  I’ll try do that a couple of times a month but I don’t want it to get too boring.  Maybe I should try watching the Who episodes on my iPod on the train!  I might interlace this with some reviews of the latest incarnation of Doctor Who, starting with the Christopher Eccleston episodes back in 2005.

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Monday, 9 November 2009

Music Review: Editors – In This Light and On This Evening

Indiessential Albums of 2009

A couple of weeks ago, I was thinking that 2009 had been pretty uneventful as far as new music was concerned. I guess I was feeling a bit uninspired and disenchanted. Suddenly, it felt as if there was an explosion of new music and I rushed out and got four new albums. That in turn lead me to look again at the albums that have come out this year and to see if any were worthwhile. The results have been interesting and from now to the end of the year, I'll be posting about some of the Indiessential albums of 2009.

Editors - In This Light and On This Evening

Editors
[Photo Source]

The Editors are one of my favourite bands and first caught my attention in 2007 with their phenomenal album An End Has a Start.  Up until now, their sound has been compared to that of Interpol and R.E.M. but with their third studio album, In This Light and On This Evening, Editors break all previous barriers.

It is not often that an album impresses me as much as this one has and I’m going to review all 9 tracks on the album.  Links in the song titles will take you to the Last.fm pages where you can listen to the tracks.

Editors

Editors - In This Light and On This Evening
Record label: Sony Music
Release date: 12 Oct 2009

  1. In This Light and On This Evening: really dark and it reminds me of VNV Nation.  The strange thing is that it is this dark but he is talking of beauty!  This track sounds nothing like their previous material.  It starts off slow and melancholy and then erupts in a burst of heavy beats and electronic, synth driven melody.
  2. Bricks and Mortar:  carries on the electronic tune from the first song and Tom Smith’s signature voice returns and reminds us of the Editors we all fell in love with.  This is an absolutely English album as he sings of London, pounds and pence.
  3. Papillon:  reminds me again of VNV Nation and The Mission too.  This is a long way from the band that sounded like Interpol and R.E.M.  It does make me wonder what a “sleep twitch” is though and what it has to do with butterflies and guns.  Okay… my brother explained what a sleep twitch is and it still doesn’t make any sense!  Nevertheless, I do think Editors might just be the best band around now.
  4. You Don't Know Love:  one of my favourite tunes on the album.  It has an electronic, New Wave, emotional sound to it.  It gets to a point where comparisons lose their usefulness and Editors consolidate their new sound and emerge as a top class band in their own right.  This is a groundbreaking album.
  5. The Big Exit: a strong tune with a catchy refrain, this song is another one of my favourites. ♫ "They took what once was ours, they took what once was ours" ♫ (sing along now)
  6. The Boxer: this is my absolute favourite song on the album and is one of those songs that I just want to put on repeat and play it over and over again.  It starts off a bit like Bronski Beat’s “Smalltown Boy” but then it just gets absolutely brilliant after that and again, there is no use in comparisons.  I really love this lyric: “an unwanted sun pulls rank in the sky”.
  7. Like Treasure: this song is the most like their older music out of any of the songs on the album but there is a definite New Wave influence on the music again.
  8. Eat Raw Meat = Blood Drool: this is the strangest song on the album.  I don’t have much more to say about it other than that.  It is a good penultimate song though and leads well into the final song.
  9. Walk The Fleet Road: there is that unmistakeably London setting again and it is also unmistakeably Editors.  This song is theatrical and brave, thoroughly uplifting and a fantastic ending to one of the strongest albums I have heard in years.

For the first time in quite a while, I am happy to give an album 5 stars for sheer groundbreaking brilliance.

star-five

Editors - "Papillon”

The video to the third song on the album.

Editors links

Official Web Site

Myspace

Last FM

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Friday, 6 November 2009

Film: Terminator Salvation (2009)

When will I learn my lesson?  When will I learn to ignore the reviews and to go see the films I want to see and make up my own mind?  I was so scared of being disappointed by Terminator Salvation, afraid that it would be as bad as Terminator 3, that I listened to the terrible reviews and waited months to actually watch the film.  Now, the only thing I am disappointed in is the fact that I didn’t go to see it on the big screen.

I know I usually wait until the end but I’ll start off by saying that I give Terminator Salvation four and a half stars; it loses half a star simply because it is not Terminator 2: Judgement Day.  It is possible that it is a film that only die hard Terminator fans will love but then that label would apply to me.

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Perhaps it would be best to take a step back and speak of my absolute love for Terminator 2

Terminator 2: Judgement Day (how do I love thee…)

Terminator 2 is officially my Favourite Movie Ever©. It was the first film that I went to see multiple times in the cinema and back in my days as a penniless university student, that was a huge accomplishment.  I don’t think I had even seen the original Terminator film but something about this film just touched me.

Edward Furlong and Arnold Schwarzenegger: Terminator 2

I absolutely loved Edward Furlong in his role as John Connor and I was duly petrified by Robert Patrick’s performance as the T-1000.  To this day, the score is one of my favourites and I loved the soundtrack too (especially Guns n’ Roses – You Could Be Mine). 

This is one of those films that haunted me for months and I would even say that it is partly responsible for my heightened awareness from that time about the damage we are doing to our earth and the environment.  I never would have thought it would be so hard for me to put my love of this film into words!!!

The special effects were amazing, for the time.  My favourite scenes are when Sarah Connor is hurtling through the hospital corridors and begins backtracking when she sees The Terminator and he says “come with me if you want to live”.  I love it when the T-1000 pours himself into the helicopter seat and when he extends his arms into a sword and kills John’s foster mother.  I loved when they were flying through the drains on the motor bike and the scene above was one of my favourites too.

I try not to think too hard about Terminator 3; it was abominable and I am surprised they carried on with the franchise after that.  But I am so glad they did.  I enjoyed Terminator: The Sarah Connor Chronicles and I loved Terminator Salvation.

Terminator Salvation

Terminator Salvation takes us back to the very beginning of the story which, in typical mind-bending Terminator style, occurs 34 years after the first Terminator film.  Set in 2018, John Connor is a simple unit leader in the resistance, certainly not one of the main power players.  What makes him different is his seeming ability to predict future events but this does not exactly endear him with his superiors.

What surprised me most about this film was not The Supreme Hotness that is Christian Bale (I am definite Team Christian by the way and loved his expletive-rich rant on set).  Don’t get me wrong, young Master Bale was gorgeous in this film [insert gratuitous hot photo here]:

Christian Bale is drop dead gorgeous as John Connor

Having heard so many bad things about the film, I didn’t expect to find myself so deeply submerged again in the race to prevent the rise of the machines.  That post-apocalyptic air, the resistance fighters, the end of humanity and the absolute loss is what attracted me to Terminator 2 in the first place.  Of course, in that film it was implied but in Terminator Salvation it was very real. 

I am quite a sucker for these types of stories anyway.  I loved the book Shade's Children by Garth Nix where body snatching machines use humans as pawns in their life-sized, chess-like games of strategy and I’m currently enjoying The Host by Stephenie Meyer.

Naturally, being a shameless fangirl with the full blessing of my partner to go forth and fall in love with celebrities, the best part of Terminator Salvation has to be [insert drum roll here] Sam Worthington as Marcus Wright.

Sam Worthington is even hotter as Marcus Wright

How is it possible that I didn’t notice this actor before?  He’s gorgeous!

My favourite scene in the film is where John Connor has to show Marcus Wright that he is a cyborg.

Hottest scene ever: John Connor and Marcus Wright

Anton Yelchin (from Huff and Alpha Dog) is brilliant as ever as a young Kyle Rees and Helena Bonham Carter is fantastic as the psychotic Dr Serena Kogan.

So where to from here?  As I’ve said, the only flaw in this film in my not-so-humble opinion is that it isn’t Terminator 2 and I have threatened family and friends with dire consequences if i don’t have a brand new Terminator Salvation DVD in my Christmas stocking this year.  As a massive fan, I loved this film and I can’t wait to watch it again. 

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Wednesday, 4 November 2009

Book Review: Marked P.C. & Kristin Cast

Marked

I’m surprised that I keep going for vampire books as it is not my favourite genre.  But there I was standing in a bookstore the weekend after we moved house and I walked out with Dead Until Dark by Charlaine Harris and this book, Marked by P.C. ad Kristin Cast.  I know why I chose Dead Until Dark as I am just loving the HBO series True Blood.

My reason for choosing Marked was absolutely noble though: I liked the cover and it was in the teenager’s section.  After the drama of moving house, I just felt  that I needed some easy reading.

I read the first couple of pages and then put it down in favour of Dead Until Dark which of course, I couldn’t put down until the very last page.  I then started again, not really expecting much after the brilliant coolness that is the Sookie Stackhouse series.

In the world of the House of Night series, vampires have always existed and it is adolescent hormones that triggers the reaction in certain teenagers that leads to them becoming fully fledged vampires.  (I reckon that happened to me actually as I was a fully fledged coffin kid from the age of about 15 until I was about 21).  The book starts with the protagonist Zoey being “Marked” as a fledgling vampyre and having to move off to the mysterious Vampyre Finishing School known as the House of Night.

I loved this book.  I absolutely enjoyed every single page (after we managed to escape Zoey’s mid-western high school) and this was one of the most thrilling books I have read since, well, the book I  read before it.  The best way I could describe this novel would be to say that it is a cross between the film The Craft* and the Harry Potter series.  There are really strong Native American and pagan  religious and spiritual components in the story and elements of witchcraft which may offend some people but I found them to be fascinating and exciting. 

A lot of people don’t like the book and it is definitely a case of you’ll love it or you’ll hate it.  Many reviewers have claimed that the book is too preachy and that the authors are trying to work their agenda to hard.  I didn’t really see that at all.  If anything, I remembered being fifteen and dividing my world up in black and white terms into losers, nerds, sluts and friends.  I was super opinionated and I thought that was accurately reflected in this book.  Just because the protagonist in a book has a certain point of view or opinion doesn’t mean it is right and doesn’t mean that the author thinks it is right either!

Anyway, there is no point going on about it.  The sequels to both Dead Until Dark and Marked arrived from Amazon today and I can’t wait to start them.  I’m reading The Host by Stephenie Meyer and enjoying it far more than I thought I would!  How lucky is that, to really enjoy three books in a row?  Then again, it is Stephenie Meyer and could turn into a pile of crap by the end of the book…

For thoroughly thrilling and entertaining me and making me order the sequel from Amazon the very minute I finished it, I give Marked five out of five stars.

 vc-hot-5star

* The Craft was a 1996 film about a group of four teenage witches and it was one of my favourite films of all time. It had a fantastic Graeme Revell soundtrack and featured a cover of the Smiths classic "How Soon Is Now".  The song went on to become the theme song for the television series Charmed which was based on The Craft.

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Tuesday, 3 November 2009

New Doctor Who logo in action

I wrote a while ago about how I wasn't happy with the new redesign of the Doctor Who logo. Well, I have to admit, after seeing it in action with the accompanying sounds of the Tardis, it really, really does work.

In other news, the next Doctor Who television special Waters of Mars has screened in London and has been generally well received which is a relief. My whole Doctor Who experience was watered down a bit over the past 18 months or so what with the constant speculation as to who would replace David Tennant; his announcement of his impending retirement and last but certainly not least, the abominable Easter special. But I do think things are progressing in a really good direction.
Things to be excited about:
  • I'm happy with the choice of Matt Smith as the 11th Doctor…
  • …and I like Karen Gillan as the next companion
  • I now “get” the new logo and I liked seeing it in action
  • I am so glad Russell T. Davies is going
  • I’m glad Waters of Mars has been well received…
  • … and I feel I have reason to hope that the Christmas and New Year’s specials will be handled well
  • Finally, I am super happy that John Simm will be back as the Master
This is a cute article: John Simm has fun 'destroying' pal David Tennant.
I have to acknowledge that without Russell T. Davies, there would be no new Doctor Who, Torchwood or Sarah Jane Adventures.  At the end of the day though, everything that I didn’t like in the past four years was down to him and I’m looking forward Steven Moffat’s more intelligent stories.

Visit Shownar for links to more Doctor Who blog posts or click on the links for the Doctor Who blogs in my side bar..
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© 2005 - Mandy Southgate | Addicted to Media

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