Friday, 19 March 2021

Keep Or Delete: Music Discoveries March 2021 #NewMusicAlert

Keep or Delete | New Music Friday

I didn't listen to as much new music as I'd wanted to in February. Snow and icy weather had me hibernating, hiding away from the world and when I do that, I just listen to old favourites. It's still ridiculously cold and dreary in March but suddenly this is perfect weather for discovering new stuff and I've returned to my roots listening to goth, industrial and indie, with a little folk and afropunk thrown in.

Brand New Music

"Noyalain (Burn)" by Lisa Gerrard & Jules Maxwell

This is my single of the month and might well be my favourite track of 2021. I love Lisa Gerrard and once famously played "Sanvean" on repeat for six months. I also adore Dead Can Dance. This track? It's so good that I think it easily charts in my top ten favourite Gerrard / DCD tracks of all time.

Jules Maxwell is no stranger to Dead Can Dance fans. He is the currently keyboard player for the band and is a songwriter and composer. "Noyalain (Burn)" is the first track of the album Burn which will be released on 7 May 2021. Post-Punk reports that seven short films will accompany the seven tracks on the album and that "Noyalain" is an invitation to walk in peace.

"Oblivion" by Wisborg featuring Jørgen Munkeby

Back in the days when I lived in Doc Martens and had a spider web shaved into my undercut, I lived at Alcatraz, a goth, punk, industrial club in Johannesburg. I learned about Wisborg on the I Remember Club Alcatraz Facebook group. I love "I Believe in Nothing" and "Oblivion" from their upcoming album Into the Void which is out today 19 March 2021.

I love the drama of this track. It would be incredible to dance to on a packed dance floor.

"Gong" by Anna Wolf

I bet many female artists rue the day Kate Bush ever opened her mouth because so many of them get compared to her. In the case of Anna Wolf, it's impossible not to make that comparison but "Gong" is much more than that. This powerful track is begging to be played at full tilt and I've gone from not knowing Wolf to being a fan in the space of a song.

Now if only she could release a full length album!

"All Else is a Curse" by Astari Nite

Astari Nite found me on Instagram after I showered some love on Wisborg and I'm glad they did. Their music reminds me a lot of The Cure or Sisters of Mercy but it's Mychael Ghost's Bowie-esque vocals that give this band their distinctive sound. This track is a definite keeper and I'm looking forward to more of their stuff.

"Afraid" by Mackenzie Shivers

"Afraid" is the second track from Mackenzie's upcoming album Rejection Letter and it's pretty devastating. It's about being afraid, something which Mackenzie notes is "especially relevant now" and it genuinely feels like she's speaking to my soul.

Can I be afraid
And still be free?
I am afraid
What will become of me?

"Daisy" by Ashnikko

This track is absolutely not safe for work. Ashnikko reminds me a lot of Die Antwoord and I like this goddess manifesto track a lot. I'm not entirely sure I could listen to the entire album which means it's not exactly a keeper but I'll keep this track for now.

"1999" - Katie Kuffel

How beautiful is this woman's voice? Katie's album Alligator is finally out today and it's a definite keeper. It's Sunday-afternoon-tea-socks-and-cats type of music and I like it a lot. Definitely give "Carillon" a listen too.

Music That Is New to Me

"Mine" - Ohmme

I love this track a lot. It's the grandchild of the 1970s Focus track "Hocus Pocus" and love child of 1990s girl rock bands Breeders and Elastica. Mackenzie Shivers recommended this Sub Pop act to me and I'm glad she did!

"Threads" - Naut

This band reminds me so much of Fields of the Nephilim which I bet is no coincidence because I suspect the band name is a homage to my favourite Fields of the Nephilim track "Psychonaut". The whole Naut discography is worth listening to and I hope they bring out some new music soon.

"Africa" - GNL Zamba

Switching up the tempo completely is Ugandan rap icon GNL Zamba. Released in November 2020, this ambitious album reminds me a lot of Leftfield's Leftism.

"Shadow Love" - Astralseid

Norwegian Astralseid wrap up today. This track reminds me of Dead Can Dance, Return to the Source and Branco de Gaia. I'd recommend listening to the whole album, on repeat, for several days.

Keep or Delete Spotify Playlist

Subscribe to the Keep or Delete playlist. I'll be adding more tracks every 4-6 weeks.

What are your discoveries of 2021 so far? Check out my review policy if you'd like me to listen to your track.

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Saturday, 30 January 2021

Keep or Delete: What's On My Playlist - January 2021 #NewMusicAlert

Keep or Delete | Brand new indie music discoveries | January 2021

Back in November, I made an early New Year's resolution to discover new music. That's going really well and far exceeding my ability to write about it. I've realised how music consumption has changed since the 90s. It used to be that you bought an entire album for one track and the rest might or might not be good. (I lived in South Africa in those days; singles were rare and expensive, albums imported and astronomical in price). These days, you really get the chance to explore an album before committing to physical media.

Keep or Delete

In homage to the track from the criminally underrated band The Whip, I'm embarking on what I hope will be a monthly series in 2021 called Keep or Delete. The concept is simple, I'm looking for those albums and artists that are keepers, the ones that will make it onto my permanent playlist of new and new-to-me music.

Brand new music

"Mad World" - Smallpox

I'll admit, it's entirely possible that I'm going to like any "Mad World" cover but this one is especially good. "Mad World" is the first single from Smallpox's The Covers Album which will be released on Dromedary Records. The band will releasing a new single every other week throughout 2021.

"Martha's Vineyard" - Mackenzie Shivers

I'm always excited for new material from Mackenzie Shivers and Rejection Letter, Shivers’ third full length album, will be released on April 2nd, 2021. Martha's Vineyard is the first single from the new album - how beautiful is that cover?

Ghost Smoke - League of the Black Rabbit

I love ensemble bands with vagabond sounds and when Tom Quarrelle's sister recommended her brother's band to me, she was spot on. League of the Black Rabbit hail from Bristol and I absolutely love this debut EP. Definitely a keeper.

Sketches and Ephemera - Eli August

Eli August is another artist I'm always excited to hear new music from, I love his narrative songs and heartbreaking lyrics, not to mention his voice. Sketches and Ephemera is a collection of mostly solo tracks and has the most beautiful cover. My favourite tracks are "Couplet", Baltimore" and "Dust".

"Careful Now My Son" - Anders / O'Bitz

I think a lot of music coming out in the near future will focus on lockdown, coronavirus and loss, not to mention the dying days of Trump's reign of terror. "Careful Now My Son" is the first track from singer-songwriter Eric Anders and guitarist-composer Mark O'Bitz from their collection "music in the time of coronavirus".

#WhatWeDoAtNight2 - Blank & Jones

The main reason for this project was to discover new indie and alternative music given that just about all I discovered in 2020 was prog house and trance albums to run to. I would be completely remiss if I didn't include this excellent album, follow up to 2017's equally brilliant #WhatWeDoAtNight. If the last time you listened to Blank & Jones was 1999, definitely give this album a listen. Oh, and it's great to run to.

New to me music

Ultra Mono - IDLES

IDLES were probably my biggest discovery in 2020 and I told anyone who'd listen that they needed to get their hands on Joy as an Act of Resistance. I love this post-punk band with their very noisy tracks and anarchic lyrics. Ultra Mono released in September and it is 12 non-stop bangers. "Ne Touche Pas Moi" needs to become the women's festival anthem. Just don't f-ing touch me!

Moral Panic - Nothing But Thieves

I'm not the biggest radio listener but that's become even more pronounced since I broke up with Radio X when they had a mid-life crisis in 2015 and became decidedly lad-centric. My other half still listens to Radio X - he is in their target demographic after all - and I'd heard them harping on about Nothing But Thieves in their 700 ad breaks an hour. Sadly, it took me way too long to check Nothing But Thieves out but I absolutely love Moral Panic, released in October 2020. My favourite track is Phobia but really, the whole album is brilliant to listen to on repeat, along with both Royal Blood albums.

Bunker Buds - Walter Alice Sickert

Remember how I said I love ensemble bands with a vagabond sound? I love Walter Sickert & The Army of Broken Toys and Soft Time Traveler is one of my favourite albums (check out "Pornival"). The band have a distinctive 'steamcrunk' sound and ring leader Walter Sickert brought out a lockdown album in May. It's a remarkable snapshot of a very weird period in time and was written and recorded in a 24 hour time-span on the 29th and 30th of April 2020 for the RPM Challenge.

Keep or Delete Spotify Playlist

Subscribe to the Keep or Delete playlist. I'll be adding more tracks every 4-6 weeks.

What are your discoveries of 2021 so far? Check out my review policy if you'd like me to listen to your track.

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Friday, 27 November 2020

New Music Friday: Royal Blood - "Trouble's Coming" (Purple Disco Machine Remix)

Royal Blood | Trouble's Coming | Single Review

I don't discover new music anymore. In Before World, I went to festivals, diligently researching all the new (to me) artists before the day. Concerts were great opportunities too, with support bands or at least some killer tunes from the DJ beforehand. It was even better when I worked in London. Billboards, posters, CDs in-store, my weekly album-a-day playlists to decide what made it to my permanent collection; the sources of new music were endless and I could have easily written annual top-ten album lists if I wasn't perpetually lazy.

Life is different now in every way. I've gone from 90 minute commutes (each way) five years ago to half an hour of total commuting to rolling out of bed and sitting at my desk within ten minutes now. Which means that with the exception of prog-house albums for running to, I've discovered exactly one new (to me) artist in 2020.

It's as dire as it sounds.

That doesn't mean I haven't listened to any alternative or indie music this year, I've just relied on tired old playlists of my favourite tracks when I'm actually a full-album listener at heart. I'm also a big resolution-setter and I usually start resolutions in autumn, not January, so my new resolution is to discover as many new artists as possible, preferably one a week but I'll allow for the occasional love affairs where I play an album on repeat for six weeks.

Royal Blood

My first discovery is Royal Blood who've been around since 2011. I discovered them a couple of weeks ago when they released the Purple Disco Machine Remix of "Trouble's Coming". I immediately liked what I was hearing, it reminded me of the remixes Klaxons used to release and that is a good thing. Klaxons was my favourite band for years and I've never been reminded of them before.

I took a listen to How Did We Get So Dark? (2017). The album gave me a Muse and Kings of Leon vibe. I'm not the biggest Kings of Leon fan strangely enough, strictly hits only, but I knew straight away that this album is a keeper. My favourite tracks are "Lights Out" and "Hook, Line & Sinker" which were released as singles but honestly, this is an album I can listen to whole and I was always a little disappointed when it ended.

Which lead me neatly to their self-titled debut album Royal Blood (2014). This album is brilliant throughout, especially the first three tracks from the explosive opening track "Out of the Black" through "Come on Over" to "Figure It Out".

The best thing is that both albums are short at around 30 minutes, so I've just been listening to both of them over and over.

I'm was hoping that "Trouble's Coming" meant that a new album was on the way and Loudwire confirmed it'll land in Spring 2021. Fabulous news indeed.

I'm very happy with my first discovery. Onwards and upwards to the next one!

"Trouble's Coming Official Video

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Friday, 17 April 2020

New Music Friday: Suzy & the Lifeguard 'Anima' EP

Suzy & the Lifeguard | Anima EP | New Music Friday

I've realised over the past weeks (or has it been years? I've lost count) that we all have the same shared experience. We're missing our friends and families, longing for our old lives, wishing we could escape. Like millions of travellers worldwide, we were meant to travel at the end of March - an island holiday - but that didn't happen. Instead, I've remained at home since 13th March and I'm trying to keep to a schedule.

Because I've been working 10-12 hour days, I've also scheduled in serious downtime - running, discovering new music, trying to concentrate long enough to read books.

My favourite new discovery in recent weeks? Suzy & the Lifeguard.

Suzy & the Lifeguard

The after-ego of Suzy Paradise, Suzy & the Lifeguard is music for people who need to escape. Trippy and psychedelic, her tracks immediately evoke images of nautical dreams and jazzy interludes beside the ocean. I might have lost a week beside the sea but listening to Anima, I can almost taste those cocktails and believe that I will be there again one day soon.

Anima EP

The Anima EP was produced by Grammy award-winning recording and mix engineer, Phil Joly who has worked with Patti Smith, Lana Del Rey and Daft Punk. This is her second EP after her 2015 Suzy & the Lifeguard EP earned a “Best Jazz Song with Vocals” nomination at the 14th Annual International Music Awards. By her own admission, Anima is darker, dreamier and more introspective, invoking breezy seaside evenings full of moody ambiance.

Anima is short at just 21 minutes. I always feel that EPs are too short, leaving me thirsting for more, but the best thing about Anima is that it is perfect to play over and over again. "Now", "Take It Slow" and "Loolluby" are the first singles off the EP but my favourite track is "Guides" with its seaside, Fairground Attraction vibe.

Listen

Buy

The Anima EP will be released on May 1, 2020 and you can pre-order on Bandcamp

RIYL

Recommended if you like: Billie Holiday, Martina Topley-Bird, Massive Attack

Links

Website | Instagram | Twitter | Facebook | Soundcloud | YouTube

Image Credit © Casey Curry

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Monday, 2 December 2019

#NewMusicMonday: Mackenzie Shivers Brings Christmas Peace and Pensiveness with 'Midwinter' ★★★★★

Midwinter - Mackenzie Shivers | New Music Monday | Album Review

Christmas can be such a difficult time. With all of the bright lights and festive spirits, there is often an undertone of sadness as we reflect on those who are no longer here. For me, I think back to my childhood years when my family was still intact and my grandmother was vibrant and alive. It's been a long journey but in recent years I've managed to reclaim Christmas, to make it a time of family, joy, celebration and gratitude again.

Mackenzie Shivers understands this and is releasing a Christmas album to capture this pensive mood. Firstly, Mackenzie is not a monster! Although Midwinter has been ready to meet the world for some time now, Mackenzie has thoughtfully waited until after Thanksgiving to release it. And now that it's December, I'm allowed by the laws of the United Kingdom of Britain and Northern Ireland to share it with you too.

About

Midwinter is a delightful collection of eight Christmassy tracks, embracing a feeling of peace and warmth. As Mackenzie says, "we wanted to keep the recordings and performances raw and intimate, as if I were sitting down and playing in your living room. Or, perhaps, a cozy Irish pub at the end of the evening". For me, it's all about tea and socks, cosy blankets and a purring cat.

Midwinter was recorded in a single day with co-producer Kevin Salem. Most of the tracks are Mackenzie's own arrangements of Christmas songs that you'll know and love including "'Tis the Season", "Auld Lang Syne" and "I Heard the Bells". I loved the unique arrangements, at times slowing down songs that are usually belted out and at others, jazzing them up. There are several piano instrumentals on the album, the most notable of which is the title track "Midwinter" which Mackenzie wrote for this album. If you're a fan of The Piano soundtrack then, like me, you'll love this track.

RIYL

Recommended if you like: Christmas!

Listen

Buy

Bandcamp

Links

Twitter | Facebook | Soundcloud | Website

Image credit © Liz Maney | Album art by Britannie Bond Photography

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Friday, 8 November 2019

New Music Friday: Sarah Elizabeth Haines - Pretending to Sleep

Pretending to Sleep - Sarah Elizabeth Haines | New Music Friday

Sarah Elizabeth Haines's Facebook bio says she's still trying to figure things out, with strings, which is kind of funny because she's pretty accomplished already, having trained as a violinist and violist and touring the States with Hamilton. She's also part of Bellehouse who released their debut album Capsized in 2017.

I was naturally quite delighted when Sarah contacted me about her solo album Pretending to Sleep, which is being released to the world today.

Pretending to Sleep

Pretending to Sleep is one of those albums that defies definition. There are strings and Sarah's voice and an unmistakable sense of calm and peace running through the album, or maybe I'm just ready to curl up for the winter and lose myself in her music.

The album begins with the daunting anticipation of "Losing Game", the third single released from the album. I was sold within the few first seconds of those strings, which reminded me of Fionn Regan's 100 Acres of Sycamoreand I was a fan by the time Sarah's vocals and harmonising began.

Sarah sings about loss and the breakdown of relationships and she's at her best when she's defiant. "Let Me Down" should be a mantra for every fierce woman determined to walk away from a broken heart.

I don't wanna break your heart but you broke mine first so I guess we'll call it even

"Petrified" and "Let's Try That Again" are my favourite tracks on the album, although I don't like to pick favourites because all the tracks on this album should be loved equally. Most of the tracks on Pretending to Sleep are searching and melodic, but these tracks are more theatrical and dramatic, picking up the pace somewhat and providing a brief interlude of mischief and defiance.

Pretending to Sleep is relatively short at 35 minutes but it's a rare album these days in that it's clearly designed to be listened to as a whole. And so I will, over and over again as it becomes my soundtrack for autumn 2019.

RIYL

Recommended if you like: Mackenzie Shivers, Aimee Mann, Laura Marling, Madeline Peyroux.

Listen

Buy

Bandcamp

Links

Website | Twitter | Facebook | Soundcloud

Image Credits © Britannie Bond Photography | Elizabeth Maney

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Wednesday, 27 February 2019

The Definitive Interview With Dream Pop Newcomer Dream Reporter

Dream Reporter Interview | New Music Friday| Dream Pop

I know it's not nice to have favourites but if I had to chose, I'd say this is the favourite interview I've ever done. Brand new to the Dream Pop scene, Dream Reporter talks about her name, musical influences, song-writing process and the importance of self-belief. She also teases the name of what could possibly be her next single! I think you'll enjoy this one as much as I did!

The name Dream Reporter invokes all sorts of wonderful connotations. What is the story behind it?

It’s funny you ask, I do believe that there’s a lovely kind of kismet about how names come about - what is or seems random ultimately takes on a story all of its own. Especially once it belongs to the wild too which is a most beautiful thing.

I had the moniker Reporter kicking around for a while during the early writing stages, I really liked the way it sounded to say it, I think anything with three syllables has a good chanting potential ha. It’s not a very easy name to differentiate online though, which obviously meant it wasn’t an ideal name for socials and stuff. And as you will appreciate, usually the first thing anyone asks when you tell them you make music is, what does it sound like? And of course I always said Dream pop.

I’m really obsessed by music that has a dream like quality to it, that gives you that feeling of tugging at something deep inside of you. When I listen to certain tracks it’s like I’m suddenly awake and everything else that seemed real is actually the dream. It’s such a crazy intense feeling and that connection that music gives me, to what is primal inside me, to that which is perhaps hidden even from my conscious self, is what drives me to make music and create art.

I’ve always loved all that is mystic and the way in which our subconscious and our desires can have such power over us, how our intuition can be really finely tuned if we trust and let it guide us. It’s so interesting too, exploring that place between what we want and what we dream of so once I thought of it, it seemed like the most obvious thing in the world to add Dream to Reporter. I wholly believe in visualising what you want, who you want to be, visualising it so clearly it’s like watching a film of your own life. It sounds kind of crazy, but I believe when we are clear what we need from ourselves and our path then the universe, it finds a way to provide. Not always in a way we expect either, which is what makes the task of being open and receptive to the signs such a lifelong journey. The most exquisite puzzle.

How long have you been making music? Have you performed in other bands or under any other names?

I have been making music since I could talk haha, I loved to sing songs about anything and everything as a child, just kind of making them up as I went along. We kind of lose that a little as we get older I think, but if i’m honest I still do it haha! I tried learning the piano but my father couldn’t stand the sound of my practising and I lost interest quickly anyway. I taught myself guitar to accompany my first songs, but I always felt self conscious about my abilities so didn’t really push myself. I found it easier to write melodies or hooks in my head or on keys and then just get my talented friends to play them! A bit lazy of me I guess. I didn’t use a name until I started calling myself Reporter, so no, no other names.

Did you study music formally or are you self-taught?

Self taught bb!

Who are your major musical influences? If you could open for one artist or band who would it be?

Oh my gosh just thinking about the second part of this question gives me goosebumps haha! It would be so incredibly hard to pin it down to one i think. But probably The Smashing Pumpkins. Or Fleetwood Mac. Or Interpol. Or Bjork. Or even Frank Ocean. Gosh, it’s too hard haha.

I feel like discovering different artists kind of punctuated my life, and still does. It’s how I think about different periods, what music I was into at that time. Growing up I was lucky that my parents loved music and had pretty eclectic taste. I loved Queen and Bowie and Joni Mitchell, Van Morrison, Michael Jackson, Leonard Cohen, Earl Klugh, Joan Armatrading, Lauren HIll, Kate and Anna McGarrigle, Carly Simon, loved her. Whatever was playing at home I danced and sang my heart out to! I was a huge Mariah Carey fan, truly I would sing to all her records! And films and their soundtracks was a way I discovered a lot of great music too, I listened to the Romeo and Juiett soundtrack almost to death haha! I took a coach to school everyday and the Capital radio was always playing the latest hits, there was a group of us and we’d sit together singing along to all over favorite pop songs on the journey home. Then I discovered Jeff Buckley, Elliott Smith and Cocteau Twins and all that incredible 80’s music that dominated the radio. Then the Smashing Pumpkins became my first real musical obsession, and everything grunge I guess. I loved Nirvana, Catatonia, Hole, REM, Green Day, Ash, Coldplay.

Interpol was the next big love of my life, what a band. The Maccabees, Lana Del Rey, Bombay Bicycle Club, Florence and the Machine. Bon Iver. Daughter, Ulrika Spacek, Odesza, I mean there will be hundreds of bands I’m missing here too, just impossible to write down everything!

I’m really the biggest music fan and geek haha, and as an artist I have been inspired by other artists for sure. Probably more individual songs and sounds that have influenced me, and wanting to share my world in a way that reaches other people in the way music reached me.

Are you back in London? Are you planning any gigs in the near future?

I’m on the West Coast at the moment but London is always calling me. It’s where I grew up and discovered music and saw my first shows and so it’s where I feel most deeply connected to my creative energy I think. It’s been amazing getting to explore and discover a different creative family in other places too and I think my writing will definitely benefit from that.

You’ve been touring the States. Which was your favourite venue or gig?

It’s not been a full tour yet but I’ve played in San Francisco and Los Angeles. I loved playing at Brick and Mortar because the sound is incredible for a smaller venue, plus it’s got a really great vibe and attracts a good crowd. I just played Hotel Cafe and that was a very cool experience though very different. You hear a lot of different opinions about playing LA, but I loved that that venue is where music fans come because they really want to hear new music. They pay attention! It was wild.. It was my first LA show and it was a stripped down set that I’d only really had time to rehearse for a hour that day with a new guitarist, so I guess for that reason it feels very special as it was a new experience both playing the songs that way and in a totally new city.

Now that your single is out, what can we expect next? Any plans for a full-length album?

I know everyone talks about the death of the album, but to me the most incredible thing is when you discover a new band or artist and they make a record that is just like the most delicious thing from start to finish. I love when there isn’t one track you want to skip, and that’s a rare thing so I guess what I’m saying is that I set the bar pretty high for myself haha!

In truth it might be a couple of singles yet before the album drops, I’m aiming to make it worth the wait though :)

What is your biggest challenge as a musician? Have you been able to overcome that and if so, how?

As a musician there are quite a lot of hidden challenges, or rather things it’s easy to overlook if you’ve not experienced the process. I can think of three big ones right now.

The first, and it sounds so simple, but it’s just self belief. A true, honest and humble place of self-belief. It takes so much, like just a crazy amount of time and effort to get good at something as abstract in a way as writing songs and finishing them, so you have to really steel yourself for the times of self doubt and the times you just don’t want to do it anymore or you question why anyone would devote themselves to something so likely to fail! You have to know that there are those days and that that is normal and a part of the process. And you have to dust yourself off and try again.

The second is treading the delicate balance of knowing when something still needs work and when it’s kind of done. And I say kind of because you can nit pick forever, but at a certain point doing more will not make it any better. At the same time, you can know your music so well or be so familiar with things being a certain way that you get a bit closed off to possibilities. Or tweaks that help progress things. So it’s quite a journey getting to your own individual place of being open enough to let something be what it needs to be while not getting lost down endless rabbit holes, knowing just when to call it time. You also soon discover that as much as deadlines are a pain, they can also be a saviour in that regard!

The third is finding a way to balance yourself in a job that for the most part doesn’t have a routine or structure in the sense that other people, unless they’re also creatives, will understand. I find it can be a very solitary existence, because you have to be so disciplined about sticking to your own path.

I think as fans we underestimate how much time, effort and money goes into the song-writing and recording process. The next couple of questions are about that.

Do you write your own songs? Can you describe your song-writing process?

Yeah I do write all my own songs, and arrangements. Songs come together in parts for me, no particular order but roughly the lyrics, the melody and hooks are first then the arrangements and the harmonies.

I have a good practise of making myself write my thoughts or feelings down as they come to me, so it’s not unusual that a song comes out almost fully formed. I think of lyrics as a form of poetry and when I think about expressing those emotions a kind of melody or rhythm will usually be in mind. So I start there and then build everything else out around it.

Which studio did you record in?

I recorded most of my tracks at Urchin Studio in London, and a few bits here and there at my home studio.

Did you record with a band or do you play all the instruments on your tracks?

I’m very fortunate that a lot of my friends are excellent musicians who were happy to play parts for me if I needed it.

Do you have any advice for artists just starting out?

You can waste a lot of time worrying about not being good enough in one way or another, particularly regarding body image. Looking at your idols and even your peers and how they seem to be perfect because they have it together in every area. The reality is, every path is different and you probably don’t have it together in every area at the beginning. But no one does, so don’t sweat it. It’s only as you move forward, when you take that first step by deciding to start, because as David Bowie said, “the truth is, of course, that there is no journey. We are arriving and departing all at the same time”. It’s the same for everyone, no matter how good or accomplished they are, it never feels like you’re “there”. So you have to know what your own personal goals are, and start with that.

And finally, if you could tell your fans to listen to just one track, what would it be?

It would be "Medicine", but that’s not out yet so I should say the latest single, "It Stays"!

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Monday, 18 February 2019

Finally! Dream Reporter Drops New Single "It Stays" #NewMusicMonday

Dream Reporter - It Stays #NewMusicMonday

It's finally here! Just over three weeks ago I heard Dream Reporter's new single for the first time but horror of horrors, I wasn't at liberty to share it. It might be the very beginning of the year but I'm declaring now that this will be my single of the year and it's finally out today. If you like Cocteau Twins or All About Eve or anything dream pop, you'll love "It Stays".

From its opening chords "It Stays" reminds me of the heyday of dream pop and shoegazing, when Cocteau Twins and Lush dominated the playlists of dreamy, introverted people like me. The momentous and suggestive baseline reminds me of All About Eve's Phased EP but it was the vocals that blew me away; Dream Reporter has the confidence, power and presence of PJ Harvey and Florence Welch. In truth, "It Stays" reminds me very much of Tori Amos's "Crucify", a song which I expected would forever remain unparalleled.

"Do you know what it takes to turn the bitterness I taste into something more than hate?"

Edit: we finally have a Soundcloud link too:

I am very excited to see what the London-based Dream Reporter does next but if this track is anything to go by, she is going to be huge. She's been touring the States lately but hopefully she'll come home soon for some gigs.

Links: Dream Reporter is super friendly on social media. Follow her on:
Twitter | Facebook | Soundcloud | Spotify | Instagram

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Friday, 8 February 2019

#NewMusicFriday: Mackenzie Shivers - The Unkindness ★★★★★

As I write this it's snowing and the world outside is completely silent and serene. It is quiet inside too and I’m hiding away, watching the snow fall and listening to Mackenzie Shivers’ new album The Unkindness.

I first discovered Mackenzie's music in 2016 when she released her Living In My Head EP. At the time I compared her to Kate Bush and Florence Welch and since then I’ve very much been looking forward to her releasing her latest full-length album. It is finally here, released today and The Unkindness was worth the wait.

The reason I'm hiding away from the world on a snow day is that I've been feeling fatigued lately, weary of a constant cycle of bad news and fear. Mackenzie gets that and her album is music for the soul, a salve for a broken heart. Armed with a crystal-clear voice and piercing piano notes, The Unkindness is at times uplifting, tragic, redemptive and rousing. From the utterly moving "Ravens" and "The Canyon", to the heart-wrenching singles "Believe" and "The Unkindness", to my personal favourite "mr. jones", this is an album of stories and journeys. It is in this narrative style that Mackenzie begins to remind me of Tori Amos and Elton John.

I love that The Unkindness inspires me so. I've noticed how it starts the synapses firing in my brain and makes me determined to conquer the world. That is especially true of "Phoenix" for I too was told I didn't belong and I simply bypassed that gatekeeper to get where I am today.

They say it’s not mine for the taking So watch me burn Like a phoenix I’ll come back To take it all

Mackenzie Shivers is such an exciting artist and I can't wait to see what she does next. I give The Unkindness a superb five out of five stars and recommend to lovers of folk music and fans of Kate Bush, Tori Amos, Aoife O’Donovan and Olivia Chaney.

★★★★★

Links: Twitter | Facebook | Soundcloud | Official Website | Pledge Music

Photo credit: Maddy Thalias
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Friday, 26 October 2018

Listen: Mackenzie Shivers returns with "Believe"

Mackenzie Shivers

It’s that time of year again; the clocks fell back last night and winter is definitely on the way. If I’m honest, I’m relieved. We had an incredible long, hot summer but I’m looking forward to slowing down for a while and taking stock of where life is taking me. This is the time for hot cups of tea, warm blankets and days filled with books and socks. Or for lying on the sofa, listening to music and whiling away the afternoon. One song I can’t stop listening to at the moment is “Believe” by Mackenzie Shivers.

“Believe” is a deceptively simple arrangement, comprised of just Mackenzie’s beautiful vocals, piano and strings by Sarah Elizabeth Haines. In her interview with Vents Magazine, Mackenzie explains that she wrote it following the passing of her brother-in-law some years ago but that following the 2016 presidential election, “the song took on a new meaning to me … It felt bigger than my own personal story. Music is powerful in that way; it transcends one specific event”.

I agree. Listening to “Believe” makes me think of hope and redemption but it also warns of what is important to us in the dark times the world is going through at the moment. It is the perfect accompaniment for moments of introspection.

RIYL

It seems impossible that it’s only been two years since I discovered Mackenzie Shivers and her Living In My Head EP. Her music always stops me in my tracks and sends me into spirals of euphoric recall and thoughtfulness. In my endless search for music that truly moves me, I believe in Mackenzie Shivers. If you like Aoife O’Donovan, Olivia Chaney, Joni Mitchell, Florence and the Machine, PJ Harvey, Bat for Lashes or Kate Bush, you’ll love Mackenzie Shivers.

Listen

New album + Pledge Music Campaign

“Believe” is the first single from the upcoming album The Unkindness, Mackenzie’s first studio album since Neverland (2014). The album is due out on 8 February 2019 and Mackenzie Shivers is running a Pledge Music campaign to give fans the chance to access music and exclusive merchandise first. From just $15 to access the Digital Download, there is a package to suit every price.

Pledge Music logo

Pledge Music and other similar sites give fans a chance to support independent music and to hear what they most want to hear. We’ve all heard of bands who have been lead astray by what record companies think fans want to hear and individual patronage is the way of the future.


Links: Twitter | Facebook | Soundcloud | Official Website | Pledge Music
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Friday, 28 July 2017

New Music Friday: Team New Band - B.O.Y.S EP

Team New Band

A long, long time ago Pixies broke up and my heart broke into a million tiny little pieces. I didn't think I'd ever recover and spent the next couple of years trying to find someone, anyone that would fill the gap. Sure, there was Breeders, Belly and Nirvana but ultimately nothing filled that gaping hole in my soul and my tastes diverged into something completely different in the form of Cranes.

Fast forward a couple of years and I'm listening to "Freaks" by Team New Band. This is what I was looking for back then, this is exactly what I wanted to hear and it's taken this long to find it.

Don't let me mislead you though - Team New Band are ridiculously talented and absolutely original and certainly not a carbon copy of any band I've encountered before.

About

Hailing from Brighton, Team New Band boast not one but two lead vocalists, both with distinctive, unique voices. The band is made up of Maddy Jones on lead vocals, Mark Docherty on vocals and guitar, Tariq Khawaja on guitar and backing vocals, Jack Hall on bass and Luis Bezzi on drums (and one liners).

Listening to tracks like "Freaks" and "B.O.Y.S", which start off relatively sane before descending into multiple layers of guitar-drenched mayhem, it is not difficult to see why TNB are gaining a reputation for their energetic live shows and what they understatedly refer to as their "lively stage personas". I reckon they kill in on stage.

Influenced by The Pixies, The Talking Heads, The B52s, The Dead Weather "and basically else anything Jack White does", TNB like to "write for the outsider, those who feel they don't belong or have a voice in the mainstream". Mark Docherty explains that having two lead vocalists opens up a lot of options for them and their next releases will focus on couples and the things they go through together. If you're hoping for a sequence of power ballads, look elsewhere. Mark warns that it is far more fun to sing about the things that go wrong in relationships.

The EP

The brilliant news is that Team New Band have just released their brand new EP B.O.Y.S and all three tracks from the EP will be released as singles. The first single is the eponymous "B.O.Y.S" and you can watch the video for that below which was shot and directed by the band's own Tariq Khawaja. Be warned, there is some decidedly homicidal behaviour in there.

Mark Docherty has teased possible videos for "You Don't Know" and "Hate My Lover" too and I seriously hope that happens. The band obviously has a lot of fun making them and they are positively unhinged. All three tracks on the EP are banging and I do hope that it won't be a long wait before TNB release a full length album.

Talking about fun, I asked Mark about their photoshoot for the album because while colourful, it looked pretty cold. He shed some light on that:

"The photoshoot was very cold, we were doing a gig in Islington in the evening and while we put a lot of effort into planning our outfits, we didn't put much thought into keeping ourselves warm! Highlights include finding "Neil" our shopping trolley which helped us carry the gear and being told to clear off taking pictures in front of an angry lady's house... which backed onto a canal. We must've looked like a gang or something. Our very talented photographer was Ajit Dutta from Raid Studios, he's such a legend behind the lens"

B.O.Y.S is available to buy using the links below.

Team New Band

RIYL

Recommended if you like: The Hives, Buzzcocks and The Subways

Watch

Listen

Buy

Amazon | Google Play | iTunes

Links

Twitter | Facebook | Soundcloud | YouTube

Image Credits © Ajit Dutta from Raid Studios

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Friday, 16 June 2017

New Music Friday: Mackenzie Shivers Returns with "Names" Video

Mackenzie Shivers

Long time readers of this blog will be no stranger to Mackenzie Shivers, a New York-based artist featured as part of my New Music Friday series last year. 2017 has been quite a year for Mackenzie and earlier this year she embarked on a tour of Australia and New Zealand, making us jealous with her amazing travel pics.

Evidence:


Lake Wanaka, NZ, Wednesday afternoon #nofilter

A post shared by Mackenzie Shivers (@nykenzie) on

It turns out that it wasn't all play for Mackenzie and she returns this month with a brand new music video for her track "Names" off the Living in My Head EP.

Mackenzie told me a bit more about her experience and the inspiration for the track:

The video was shot in Australia's Blue Mountains - an incredible experience that came about after I met Aussie actress and filmmaker Lâle Teoman at NYC's own Rockwood Music Hall!  I have family living in Sydney and decided to make a trip out of it.

"Names" was written after a trip to Washington DC and finding the name of a family friend etched in stone at the Vietnam Memorial.  There was something very stirring about seeing all the beautiful cherry blossoms in the same vicinity as thousands upon thousands of names carved into the memorial.  As the lyrics developed, "Names" turned into a love song - one of the few love songs I've written.

Lâle and I wanted to capture the dream-like state being in love and utilize the beauty of the Blue Mountains to their fullest.  Lyrics "You by any other name would stay just as kind, you by any other name would be my love" are sung with both whimsy and certainty, birds and an epic Australian sunset floating between frames.  The Blue Mountains were the perfect backdrop.

I'm so proud of this video, and working with Lâle in Australia was in itself a dream come true.  I hope you enjoy it.

I have to be honest, I think it would be impossible not to like the video. The cinematography is beautiful as is the track itself. Take a look below and let me know what you think.

The Living In My Head EP is available to buy from Bandcamp

Links: Twitter | Facebook | Soundcloud | Official Website
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Friday, 16 September 2016

New Music Friday: Mackenzie Shivers – Living In My Head EP

Mackenzie Shivers

There is a moment I recall from my early twenties. It was 3am on a Sunday morning and I was standing on the balcony in our nightclub, gazing down onto the dancefloor. Kate Bush’s “Wuthering Heights” came on and I remember being absolutely consumed in that moment. Nothing else mattered except for that time and that place: I was utterly present.

It was something that I never forgot but sometimes memories can be elusive, we tuck them away and they emerge at the most unexpected times. The first time I listened to “Tell Me To Run” by Mackenzie Shivers, I was unexpectedly transported back to that balcony. As the track built up and then crashed into an anthemic chorus, I was suddenly standing there, watched the flashing lights and swaying dancers and caught up once again in that far away moment.

It is easy to see the parallels between Mackenzie’s work and that of Kate Bush. She has a piercing voice, full of emotion yet as clear as crystal. Her tracks build up with frenetic intensity and then crash into crescendos of piano and melody. In a word, Mackenzie writes epic music, and it is easy to see why comparisons are being drawn to Joni Mitchell and Florence and the Machine. I’d even add influences of Bat for Lashes and PJ Harvey.

About

Mackenzie Shivers promo shot

Mackenzie Shivers wanted to make music for as long as she can remember and wrote her first song at age 4. She famously said that her mother would walk in on her at night to find her fingers playing the piano in her sleep and young Mackenzie exclaimed that she had music in her head that needed to come out.

Mackenzie's music has a distinctively Celtic sound, borne of her Irish and Scottish heritage. There is also an unmistakeable touch of the South, where Tampa-born Mackenzie spent summers visiting family in Florida, Georgia and Texas.

With this wealth of musical influence and inspiration, Mackenzie honed her skills with a degree in music composition from Vanderbilt University before moving to New York City.

The Album

The Living in My Head EP was released on 2 September 2016 and is the follow up to Mackenzie's 2014 album Neverland. The first track from the album is "Lily Rose" which you can listen to below.

RIYL

Recommended if you like: Joni Mitchell, Florence and the Machine, PJ Harvey, Bat for Lashes, Kate Bush.

Watch

The epic track that started all of this - Mackenzie Shivers - "Tell Me To Run" from the album Living in My Head EP.

Listen

Buy

The Living In My Head EP is availble to buy from Bandcamp

Links

Twitter | Facebook | Soundcloud | Official Website

Image Credits © Juan P. Zapata

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Friday, 13 May 2016

New Music Friday: Sonya Kitchell – We Come Apart

Sonia Kitchell

It's never a nice feeling to be the last person in the room to know what everyone else is talking about. There is that sudden, slightly shameful feeling as you realise that everyone else can see the look of utter confusion on your face and somebody is about to "kindly" rush forward and put you in the picture. That was how I felt when I recently heard about Sonya Kitchell for the first time.

It's her first album in seven years! screamed the email in my inbox, a complete cellular regeneration promised her official website. I'd never heard of Sonya before yet somehow, at the back of my mind, was this nagging feeling that maybe I should fix that.

And so I did. I gave her new album We Come Apart a listen and much to my utter surprise, I was truly moved.

About

It’s said that every cell in our bodies regenerates over the course of seven years, making us different people than we were before - Sonya's website

Sonya is earnest about the transformation that she has undergone in the last seven years and she maintains that she is a completely different person now. Sonya grew up in Ashfield, Massachusetts and was just 15 when she was signed to Velour Records and named the second Starbucks Hear Music Artist. She released her debut album Words Came Back To Me in 2006 when she was 17 followed by This Storm in 2008 with Decca Records.

With such success at so young an age, it is not surprising that she needed space to transform and she explains that the next album took a lot longer to make.

“My vision was not clear going into this project so it took me a while to get there,” she says. “I was searching for a sense of space and vulnerability in the songs I couldn’t quite find, like fumbling in the dark for velvet.”

The Album

We Come Apart Album Cover

We Come Apart was twice recorded, once with funds raised through a Pledge Music campaign and the second time with Sonya's own funds. She recorded it in a farmhouse in western Massachusetts, working by herself and with multi-instrumentalist Shahzad Ismaily. Once she had a rough draft of the songs, she took them back to New York where friends helped her flesh out the arrangements. It is this process that she credits with producing an album that is honest and true to herself.

The result is an album that draws the listener in from the very first track "Follow Me In" and will only let go at the end of the searing melody "We Come Apart". We Come Apart is one of the most consistently brilliant albums I've listened to in ages and every track is that good. It is almost disappointing to reach the end of the album. If I had to choose, I'd say definitely give the first and last tracks a listen, as well as "Fight or Flight", "Lucifer" and the superb "Hurricane". My favourite track, the one I've been playing over and over again on repeat, is "Swallowing the Rain".

RIYL

Recommended if you like: Norah Jones, Beth Nielsen Chapman

Watch

Sonya Kitchell - "Mexico" from the album We Come Apart

Listen

Buy

iTunes | Amazon.co.uk | Amazon.com

Links

Twitter | Facebook | Soundcloud | Official Website

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Friday, 6 May 2016

New Music Friday: Lake Lady – Better Day EP

Charise Sowells aka Lake Lady

New music for old souls. That's how Lady Lady describes her sound. It does make sense: If you are an old soul yearning for the blues sounds of old while at the same time looking for something fresh and original then Lake Lady will certainly appeal.

About

Hailing from Oakland, California, Lake Lady is the moniker of Charise Sowells. No stranger to the music scene, Charise has previously toured with the Grayson Wray Project as lead vocalist and synth player, performed with dream-pop group Notsolow at the 2012 Art Outside Festival and played the Fete de la Musique in France with her groove-pop duo Lake Lady and the Mountain Man.

The Album

Better Day is the debut EP from Lake Lady and features five unique tracks that showcase her talent. The EP opens with "Will Your Feelings Change?", a downtempo trip hop number reminiscent of Portishead and Tricky. Next up is the funky jazz number "All Over This Town", which you can listen to below. It is an anthemic and addictive ode to heartbreak that will have you hitting the repeat button in no time and is by far the best track on the EP.

The EP changes direction with the distinctive ocean sounds of denial and refusal of love in "Be Still My Heart" which is naturally followed by Lake Lady wondering "Will He Ever Come?". Do check out the video to “Will He Ever Come?” below.

The EP closes out with the upbeat and jazzy title track "Better Day" which is easily the track most likely to hit radio station playlists.

RIYL

Recommended if you like Billie Holiday, Martina Topley-Bird, Massive Attack, Tricky, Portishead

Watch

The official video to Lake Lady's "Will He Ever Come?"

Listen

Lake Lady's "All Over This Town"

Buy

Visit Lake Lady Music to buy Lake Lady's debut EP Better Day on a Name Your Price basis for the download or just $7.00 for the CD plus download.

Links

Twitter | Facebook | Soundcloud | Official Website

Image Credits © CeeCee Hood

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Friday, 4 March 2016

New Music Friday: Eli August & The Abandoned Buildings - Honey

Eli August Honey still

It is not easy for indie bands to make it on their own. That’s why I am always thrilled to see a band I've previously covered come out with a new release, especially when I loved them so much in the first place. One of those artists is Eli August & The Abandoned Buildings. I covered their EP A Heartache Suite in August 2014 and am thrilled to announce that they have a new album coming  out in May.

About

At the helm of the band is Eli August, of course, and the Abandoned Buildings are an ever-evolving group of talented musicians who collaborate with Eli to produce his sound.

Hailing from Baltimore, MD, Eli August & the Abandoned Buildings craft a unique brand of Dark Americana, Chamber Rock and Gothic Folk. If that sounds confusing, they’ll break it down for you: “the band has more songs with tuba and mandolin than is rightly good for you”. I guess I like music that is bad for me then.

A lot of Eli’s content is dark, even when it sounds light-hearted at first. You have to be especially wary of tracks like “Wrought” from A Heartache Suite and “Shadow and Stone” from the upcoming album. They will chew you up and spit you out in bits, making you feel like your every emotion has been put through the wringer.

Eli August Honey video still

The Album

The brand new album Is This Darkness which will be released on CD on 28 May 2016 and will see a digital release in the early summer through Manta Ray records. The album covers a range of themes including regret, love, loss, suicide, war, misanthropy, hope and redemption or, in Eli August's own words "ya know, the lighter fare". It sounds brilliant!

RIYL

Mumford & Sons, One Republic, Qiet

Watch

The video was directed by The Nerdy Duo and is a bittersweet celebration of love, loss and the inevitability of death. Be very careful – this track will grow on you and could blossom into a full-blown addiction!

Listen

"Honey" is the first track from Is This Darkness but you can listen to the excellent 2014 EP A Heartache Suite below.

Buy

“Honey” is available to preorder from Amazon using the links below – the single is expected to drop on 25 March 2016. You can also support the band’s Patreon campaign where you’ll find music, videos, lyrics and (allegedly) kick ass chili recipes.

Links

Twitter | Facebook | Soundcloud | Bandcamp | Eli August Music (website)

Image Credits © The Nerdy Duo

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Friday, 26 February 2016

New Music Friday: Heksagons - Episode One

Heksagons is Bobby and HinHin

Long time followers of this blog will already know about my significant and not-entirely-healthy obsession with Does It Offend You, Yeah?. I can't explain it, I just think they're brilliant and it was cause for months of mourning when I discovered they were breaking up.

Imagine my delight this week when DIOYY announced on Twitter that Bobby Bloomfield has a new project with his friend Laura aka HinHin.

About

There is not much to tell at the moment so I'm going to make some of it up. Heksagons is the secret lovechild of Does It Offend You, Yeah? And Klaxons, conceived on a long night of passion in 2007 when dance-punk and new rave were king.

The band describe Heksagons as a side project and express their love for 1970s synthesisers, flutes, harmonies, talk boxes and psychedelia. You can definitely see the psychedelia coming through in their videos - I haven't seen class like that since Pink Floyd were producing acid-trip accompaniments to their tracks.

The Album

Heksagon's debut album Episodes will be released in three parts. Episodes One is complete and ready to download on their website while Episodes II and Episodes III will depend on the success of the Patreon campaign. All albums will be released free of charge.

Episodes One

Episodes One tracklist:
1. Temper Tantrums
2. Persephone
3. One Of His Episodes
4. Super-ego

RIYL

Does It Offend You, Yeah? | Klaxons

Watch

Listen

Episodes One is available on the Heksagons website to listen to and download. Definitely give "One of His Episodes" a listen (featured in the video above) as well as "Temper Tantrums".

Buy

You don't need to buy the music, it is available to download for free at the Heksagons website but the band are currently seeking supporters for their Patreon campaign. Like they say on their site, if Sonic Youth were discovered today, no record label would be able to sign them because those people actually buying music wouldn't be interested.

"In 2016 the world sees downloading free music as a right. So a return to patronage could be the revolution that music needs to be a healthy melting pot for new ideas again - and perhaps from this crucible the new Bjork, Bowie or Atari Teenage Riot will emerge without having to tone it down for the masses.

They have a point. More and more bands today are turning to crowdfunding to finance their music and in return, they are providing their fans with the music they want to hear, not some watered-down studio dream of what a band should sound like.

Links

Twitter | YouTube | Patreon | Heksagons (website)

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Friday, 19 February 2016

New Music Friday: Kinder Than Wolves - Mean Something EP

Kinder Than Wolves

I used to have a theory that I could tell if I was going to love a song the very first time I heard the opening bars. I was definitely paying attention the first time I listened to "Hazel Days" by Kinder Than Wolves because I had a feeling this was going to be one of those tracks.

Tentative and dramatic, the track begins slowly with the promise of more to come when suddenly it drops and Paige Coley's ephereal vocals take over. It was once said of Cranes vocalist Alison Shaw that she sounded like an angel trying to describe air (it might actually have been me that said that) and I think that Paige Coley must be one of those angels.

About

Kinder Than Wolves band photo

Hailing from Orlando, Florida, Kinder Than Wolves are Paige Coley on vocals and guitar, Grant Freeman on drums and Ryan Snow on guitar. The trio met in college where they were all studying to become sound engineers. Describing themselves as musical soulmates, Paige and Ryan initially recruited Grant to be their bassist before they solidified their sound somewhat and Grant took up his role as drummer.

The EP

Kinder Than Wolves will release their debut five-track EP Mean Something on 15 April 2016.

Kinder Than Wolves Mean Something

Tracklisting:
1. Hazel Days
2. Weapons
3. Hover
4. Mean Something
5. Make You Feel

Look out for the title track "Mean Something" with it's stilted melody and somewhat obsessive lyrics: "I’m not done with you yet / Make me say something I’ll regret". In the meantime, the band has released the first single "Hazel Days" which you can listen to below.

RIYL

Recommended if you like Metric, Daughter, Now Now, Lush, Cranes, Badlands, All About Eve

Watch

Listen

Links

Catch up with the band on:

Twitter |Facebook |Soundcloud |Instagram

Band photo credits: Tu Do

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Friday, 12 February 2016

New Music Friday: Female-Fronted Punk Rockers ROMP

ROMP are Madison Klarer, Lucas Dalakian, Chris Beninato and Mike Linardi.

Whoever said punk was dead must be rolling in his grave. I assume it was an old man, on his death bed, because he couldn't have been more wrong. Thirty years after the so-called demise of punk, we might be seeing different hairstyles but the genre is officially not dead.

When ROMP came exploding into my ears with their riot-grrl inspired brand of punk, I knew we could expect something great from this band and the good news is that two years after forming, the band are finally releasing their debut album.

About

ROMP are vocalist/keyboardist Madison Klarer, guitarist Lucas Dalakian, bassist Chris Beninato and drummer Mike Linardi. Madison and Lucas met on Tinder in 2014 and soon discovered that their connection went far deeper than the romantic - they were the perfect musical match. Madison is quick to assure fans that relations between her and Dalakian are purely professional these days.

The band self-released their debut EP Sorry Not Sorry in October 2014. The EP is, according to the band, a collection of angry pop songs including the Pixies-esque surf rock guitar-laden "If Your Head Gets Any Bigger You'll Float Away". Let's face it, we've all known that person.

The Album

ROMP's debut album Departure From Venus will be released on 4 March 2016 on Bad Timing Records. The first single on the album is "Last Year" which you can listen to over at Brooklyn Vegan.

Speaking about the album, Madison remarks "Departure from Venus is really important to us as a band and to me personally. A lot of things in my life have changed in the past two years and this album covers a lot of those issues."

ROMP - Departure From Venus cover

RIYL

Recommended if you like L7, Pixies, Le Tigre, Screaming Females

Listen

Buy

Sorry, Not Sorry is currently available on a name-your-price basis on ROMP's Bandcamp page. You can pre-order Departure From Venus from the Bad Timing Records site or visit the Bandcamp page post-release.

Links

Follow ROMP on:

Twitter |Facebook |Soundcloud |Bandcamp

Photo Credit: Emily Dubin

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